My works speak of transformations, constructions, deconstructions, degradations, reconstructions in a world in perpetual motion inherent in a system of consumption where nature has an accessory role. The distance chosen tries to make people understand how, as an observer, it is impossible to act. The scenes are rigid, any intervention is impossible and renders us powerless in a universe in perpetual motion. I try to fix the rigidity of a story in progress, written in advance and impossible to correct. We can only watch.